Last year I blogged about catching the year’s first big music festival courtesy of YouTube - who broadcast live form the 5 stages over the 3 days. I raved about the really clever interface - how they included hashtags into their live updates - and how slickly the whole thing worked, including the uninterrupted streaming broadcast itself.

This year the layout of the interface was even better - with the current and upcoming bands listed in the centre, and the updates off to the right. It was interesting to see the addition of the ’Login with Google+’ option - although I never saw a Google+ originated post - they were about 70% Twitter Updates, with 30% Facebook - I even logged on myself to post updates during the Azealia Banks and Miike Snow sets.

I did not really start watching properly until the Saturday - and thus caught a mix of highlights and full live gigs by the following artists:

• AWOLNation
• Azealia Banks
• The Big Pink
• Buzzcocks
• Childish Gambino
• Datsik
• Dr Dre & Snoop Dogg + Eminem, Fiddy, Warren G, Wiz Khalifa et al.
• Florence & The Machine
• Kaiser Chiefs
• Kasabian
• Miike Snow
• Noel Gallagher’s High Flying Birds
• Radiohead
• Santigold
• SBTRKT
• Swedish House Mafia

I would have loved to have seen, but missed these:

• Amon Tobin
• araabMUZIK
• Borgore
• Dada Life
• DJ Shadow
• Feed Me
• Flying Lotus
• Frank Ocean
• Girl Talk
• Justice
• Kaskade
• M83
• Noisia
• SebastiAn
• The Weeknd

I always compare YouTube’s coverage of this with the BBC’s coverage of its main music festivals. I think the actual live streaming and the social experience is better by YouTube, but overall the BBC still leads - as they provide so much better supporting materials - and actually post up much more of the video highlights - only 76 Videos are listed on YouTube’s Coachella Page - and these are individual tracks, whilst for the BBC there is normally an extended highlights (circa 30 mins.) plus a couple of individual great moments from nearly all the featured performers - a number of the videos on Coachella Live are not even the best moments from those sets.

On my somewhat dodgy Talk Talk connection, I was astounded to get a totally seamless experience over the whole event - did not drop out once - and switching between the 3 live feed options was butter smooth!

As I’ve said before, I&

(Note that this post will be updated regularly throughout 2012)

My Top 10 Albums of 2011

1. House of Balloons - The Weeknd
2. Thursday - The Weeknd
3. Nostalgia, Ultra - Frank Ocean
4. Glass Swords - Rustie
5. Electronic Dream - Araabmuzik
6. Oh Land - Oh Land
7. Vanbot - Vanbot
8. On A Mission - Katy B
9. 21 - Adele
10. SBTRKT - SBTRKT

(Note - SBTRKT was missing from previous end of year listing)

11 Musical Trends for 2012

• Some artists will move away entirely from Album releases; Rihanna is currently the most successful singles artist (47.5 million downloads since 2005), and I believe several artists will move to just releasing singles and then compilations of singles rather than proper albums
• YouTube will continue to grow in relevance as a music discovery resource - it is after all the new MTV
• Artists will embrace more technology in their music delivery - in a similar vein to Björk’s Biophilia - expect to see more interactive albums and artist / album apps
• 2012 sees a make or break renaissance for MySpace - but is it too late to take on YouTube, SoundCloud, Spotify and Facebook - which have each taken over a part of MySpace’s key areas of expertise / influence?
• We will see more apps - in both internet and tablet-based form - to allow even easier music production / collaboration and remixing, along with simpler, fully-integrated music publishing and distribution platforms
• 2012 will also see more entrants into the group sharing / interaction category of music - along the same lines as Turntable.fm
• A leading electronic musician will employ Kinect-type technology into their core music-making and performance activities
• There will arise at least one new significant music-sharing platform, with a very innovative means of revenue generation / sharing which holds enormous appeal for both musicians and fans
• Spotify will strengthen its position as the leading music streaming platform - with yet further apps and integrations
• Music unit prices - i.e. median album and single prices will be streamlined further in 2012
• We will see even more free-to-download mix-tape type albums - DatPiff could become a household name!

11 New Artists for 2012

(Note that I consider Frank Ocean, Skrillex and The Weeknd to be significantly active in previous years and thus not properly eligible as ’New’ in 2012, the same could be said

Music

My personal input of course, but for me - Music- and TV-wise it’s been a vintage year, pretty good for literature too, not so good for film though. There were a few trends in music with several artists self-publishing their albums and making them free to download - including my top rated ’The Weeknd’ (x2) which I was relatively late to latch onto, thanks to FACT Magazine for the introduction. Björk famously released interactive apps for each of her album tracks - I kind of agree a little with Pitchfork on this one - melody was sacrificed to art and science - her best in a while, but not nearly her best.

My tastes are famously eclectic and veer between Drowned in Sound, Popjustice, FACT-style dance electronica, Pitchfork, Q, MixMag, DJ, IDJ and Resident Advisor - possibly with a rather keen emphasis on the electronic / dance varieties. There’s not too much guitar-based music here, but plenty of pop and electronic and a smattering of Hip Hop and R&B:

2011 Albums of the Year - Top 30

1. House of Balloons; The Weeknd [Trip Hop / R&B] - Chill Wave R&B-infused Hip Hop with great production and melodies
2. Thursday; The Weeknd [Trip Hop / R&B] - More of the same...
3. Nostalgia, Ultra; Frank Ocean [R&B / Hip Hop] - A kind of soulful chilled out largely sung hip hop
4. Glass Swords; Rustie [Dubstep / Electronica] - Modern, eclectic, mostly instrumental dancefloor electronica with roots in Dubstep
5. Electronic Dream; Araabmuzik [Electronica / House] - A great mish-mash of contemporary club sounds with a chilled-out edge
6. Oh Land; Oh Land [Pop / Electropop] - Lush, delicate melodic electronic pop
7. Vanbot; Vanbot [Pop / Electropop] - Bright and melodic electronic pop - like Robyn’s little sister
8. On A Mission; Katy B [Dubstep / UK Funky] - Slick, melodic vocal UK dancefloor-inspired grooves
9. 21; Adele [Bluesy Pop / Soul] - The finest mainstream pop release for nigh on 2 decades - heartwrenchingly soulful
10. Ritual Union; Little Dragon [Electropop] - Really cool, slightly quirky electronic pop
11. Perfectionist; Natalia Kills [Pop / Electropop] - Almost the perfect pop debut, chock-full of catchy hooks, with superb production
12. Mirrorwriting; Jamie Woon [Digi-Soul / Dubstep] - More consistent and affecting for me than James Blake’s debut - lushly soulful
13. Ceremonials; Florence and The Machine [Indie Pop] -