It’s that time of year again when pop pundits do their best to predict who’s going to strike it big next year.
There’s no real suprises on the BBC Shortlist, certainly not in the inclusions, but there may be a question as to why Lana Del Rey has been edged out by Lianne La Havas and Ren Harvieu - I for one certainly think Lana is doing more interesting things vocally and melodically than those two.
I was never that bowled over by Nicki Minaj - sure she’s done some mean raps / flows, but for me she’s not nearly as consistent as say her predecessor Missy Elliott, nor quite as interesting as NME’s favourite newcomer Azealia Banks, who is a little potty-mouthed for sure, but is fresh and dynamic, and somehow more genuine and arresting than Ms Nicki.
One of my favourite albums this year has been Frank Ocean’s ’Nostalgia, Ultra’; in particular the ’Novacane’ track - slick, laidback, mature hip hop, superbly produced - he certainly deserves a high place on this listing.
Skrillex (aka Sonny Moore) has been a very busy boy this year, co-producing a number of records, including nu-metallers Korn’s latest album, as well as numerous remixes and own productions. Skrillex’s ’Scary Monsters and Nice Sprites’ EP came out last year, but has been on fairly regular rotation for me this year on my iPhone jukebox. I love this kind of Dubstep / Electro House hybrid sound, which some naysayers are unfortunately trying to denigrate by calling it brostep - obviously they don’t like to dance!
A$AP Rocky - rough and ready, urban US grimey hip hop (Not UK grimey!), some great tracks (e.g. Palace) but does not quite rise up to the lofty heights of Azealia Banks or Frank Ocean - who are superior in the rap category
*Azealia Banks - smart, witty, innovative flows with clever changes in tempo and delivery - will be great if she can maintain her quality and consistency - along the lines of the quite superb ’212’ track
Dot Rotten - another diminutive Brrap Pack alumni, interesting to see if he can get beyond Tinie Tempah’s shadow, not heard enough yet to make a sound verdict, but does not sound overly dynamic or inventive enough to stand out from the Tinchy, Chipmunk chasing pack
Friends - Brooklyn 5-piece punk-funkers don’t seem to add anything new to the punk-funk canon - Santigold, Ladyhawke and the like have all done it better before
Jamie N Commons - gravelly, smoky vocalled Brit - who sounds like an American whisky-inflected nu-country star, but actually comes from Bristol, which I suppose in some ways is kind of the Wild West of the UK